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Full and Pure: Body, Materiality, Gender: Curated by Mara Hassan

Past exhibition
June 10 - September 24, 2023
  • Works
  • Overview
  • Installation Views
  • Press
  • Press release
Works
  • Linus Borgo Blueprints, 2021 Oil on canvas 40 x 30 inches
    Linus Borgo
    Blueprints, 2021
    Oil on canvas
    40 x 30 inches
  • Ludovic Nkoth Holding on to Hope, 2020 Acrylic and sand on canvas 60 x 48 in.
    Ludovic Nkoth
    Holding on to Hope, 2020
    Acrylic and sand on canvas
    60 x 48 in.
  • Nicole Eisenman Maquette: Sketch for a Fountain (Standing Man), 2018 Bronze Edition 2 / 4, 2AP 42 x 19 x 16 inches
    Nicole Eisenman
    Maquette: Sketch for a Fountain (Standing Man), 2018
    Bronze
    Edition 2 / 4, 2AP
    42 x 19 x 16 inches
  • Ren Light Pan sleep painting - 02.14.15, Irvine, CA, 2015 Water, 98.6 F (37 C), loneliness, and ink on canvas 72 x 40 inches
    Ren Light Pan
    sleep painting - 02.14.15, Irvine, CA, 2015
    Water, 98.6 F (37 C), loneliness, and ink on canvas
    72 x 40 inches
  • Ren Light Pan sleep painting (RETURN, REBORN) – 11.01.21, NY, NY, 2021 Water, 98.6 F (37 C), transgirl, and ink on canvas; syringes, photoluminescent pigment 78 3/4 x 59 inches
    Ren Light Pan
    sleep painting (RETURN, REBORN) – 11.01.21, NY, NY, 2021
    Water, 98.6 F (37 C), transgirl, and ink on canvas; syringes, photoluminescent pigment
    78 3/4 x 59 inches
  • Christina Quarles A Head of Ourselves (Lez We Get), 2020 Acrylic on canvas 62 x 50 inches
    Christina Quarles
    A Head of Ourselves (Lez We Get), 2020
    Acrylic on canvas
    62 x 50 inches
  • Willa Wasserman Self portrait in a convex mirror, 2021 Oil on poplar 12 x 12 x 2 inches
    Willa Wasserman
    Self portrait in a convex mirror, 2021
    Oil on poplar

    12 x 12 x 2 inches
  • Jarrett Key Crossing the Bank (Going In, Going Up), 2022 Oil on panel 60 x 48 inches
    Jarrett Key
    Crossing the Bank (Going In, Going Up), 2022
    Oil on panel
    60 x 48 inches
  • Devan Shimoyama Tempérance, 2022 Oil, colored pencil, glitter, jewelry, silk flowers, sequins, collage, Flashe, acrylic, and embellishments on canvas 84 x 68 inches
    Devan Shimoyama
    Tempérance, 2022
    Oil, colored pencil, glitter, jewelry, silk flowers, sequins, collage, Flashe, acrylic, and embellishments on canvas
    84 x 68 inches
  • Alannah Farrell Alex, Resting, 2022 Oil, acrylic, spray paint, and latex on canvas 50 x 78 inches
    Alannah Farrell
    Alex, Resting, 2022
    Oil, acrylic, spray paint, and latex on canvas
    50 x 78 inches
  • Hugh Steers White Gown, 1994 Oil on canvas 78 1/8 x 64 1/8 inches
    Hugh Steers
    White Gown, 1994
    Oil on canvas

    78 1/8 x 64 1/8 inches
  • Marcel Alcalá Sisters of Bakers Beach, 2021 Oil on canvas 48 x 36 inches
    Marcel Alcalá
    Sisters of Bakers Beach, 2021
    Oil on canvas

    48 x 36 inches
  • Shikeith Brandon (holding clay), 2020 Archival Inkjet Print on Canson Infinity Platine 36 x 30 inches Edition of 5 plus 2 artist's proofs
    Shikeith
    Brandon (holding clay), 2020
    Archival Inkjet Print on Canson Infinity Platine

    36 x 30 inches
    Edition of 5 plus 2 artist's proofs
  • Joan Semmel Untitled, 1971 Oil on canvas 69 x 58 inches
    Joan Semmel
    Untitled, 1971
    Oil on canvas

    69 x 58 inches
  • Felipe Baeza Xipe Tótec Rojo, 2017 Ink, graphite, acrylic, twine, glitter, cut paper, and egg tempera on 2 sheets of adjoined paper 60 1/2 x 43 3/4 inches
    Felipe Baeza
    Xipe Tótec Rojo, 2017
    Ink, graphite, acrylic, twine, glitter, cut paper, and egg tempera on 2 sheets of adjoined paper
    60 1/2 x 43 3/4 inches
  • Kiyan Williams Sentient Ruin 2, 2022 Earth, binder, chrome, synthetic hair, steel base, and armature 72 x 27 x 30 inches
    Kiyan Williams
    Sentient Ruin 2, 2022
    Earth, binder, chrome, synthetic hair, steel base, and armature
    72 x 27 x 30 inches
  • Ida Applebroog Monalisa, 2009 Mixed media on canvas 31 3/8 x 37 1/8 inches
    Ida Applebroog
    Monalisa, 2009
    Mixed media on canvas
    31 3/8 x 37 1/8 inches
  • Seba Calfuqueo Kowkülen (Liquid Being), 2020 Video, 1920×1080, HD, 3 minutes.
    Seba Calfuqueo
    Kowkülen (Liquid Being), 2020
    Video, 1920×1080, HD, 3 minutes.
  • Nash Glynn Sunset, 2021 Acrylic on canvas 30 x 40 inches
    Nash Glynn
    Sunset, 2021
    Acrylic on canvas
    30 x 40 inches
  • Maria Lassnig Die Junggesellin, 2004-2005 Oil on canvas 80 3/10 x 60 2/3 inches
    Maria Lassnig
    Die Junggesellin, 2004-2005
    Oil on canvas
    80 3/10 x 60 2/3 inches
  • Breyer P-Orridge Alchymical Wedding (Study), 1997-2012 Hot-rolled steel frame, hand blown glass, cork, hair, nails, skin 11 1/2 x 14 x 11 1/2 inches
    Breyer P-Orridge
    Alchymical Wedding (Study), 1997-2012
    Hot-rolled steel frame, hand blown glass, cork, hair, nails, skin
    11 1/2 x 14 x 11 1/2 inches
  • Ana Mendieta Untitled (Glass on Body Imprints), 1972 / 1997 Suite of six color photographs Each: 16 x 20 inches; 20 x 16 inches
    Ana Mendieta
    Untitled (Glass on Body Imprints), 1972 / 1997
    Suite of six color photographs
    Each: 16 x 20 inches; 20 x 16 inches
  • Daisy Parris Poem For it All, 2022 Oil, acrylic, and canvas on faux fur 70 7/8 x 59 inches
    Daisy Parris
    Poem For it All, 2022
    Oil, acrylic, and canvas on faux fur
    70 7/8 x 59 inches
  • Leslie Martinez Latent and Supine, 2022 Fabric, paper scraps, charcoal, fine ballast, pumice, and acrylic on canvas 96 x 144 x 5 inches
    Leslie Martinez
    Latent and Supine, 2022
    Fabric, paper scraps, charcoal, fine ballast, pumice, and acrylic on canvas
    96 x 144 x 5 inches
  • Maja Ruznic The Poet, the Mother and the Search, 2017 Oil on canvas 96 x 72 inches
    Maja Ruznic
    The Poet, the Mother and the Search, 2017
    Oil on canvas
    96 x 72 inches
  • Diana Al-Hadid Lionless, 2013 Polymer gypsum, fiberglass, steel plaster, and pigment 64 x 58 inches
    Diana Al-Hadid
    Lionless, 2013
    Polymer gypsum, fiberglass, steel plaster, and pigment
    64 x 58 inches
  • Blake Daniels Libation Bearers, 2023 Oil on linen 59 1/4 x 47 1/4 inches
    Blake Daniels
    Libation Bearers, 2023
    Oil on linen
    59 1/4 x 47 1/4 inches
  • George Rouy Late Nights, 2022 Oil and acrylic on canvas 78 3/4 x 66 9/10 inches
    George Rouy
    Late Nights, 2022
    Oil and acrylic on canvas
    78 3/4 x 66 9/10 inches
  • Chiffon Thomas Ruse, 2023 Charred driftwood, hydrocal, acrylic inks, White Sox fitted cap, cinderblocks 35 x 30 x 16 inches
    Chiffon Thomas
    Ruse, 2023
    Charred driftwood, hydrocal, acrylic inks, White Sox fitted cap, cinderblocks
    35 x 30 x 16 inches
  • Helen Frankenthaler Red Outline, 1961 Oil and crayon on sized, primed linen 54 3/4 x 49 inches
    Helen Frankenthaler
    Red Outline, 1961
    Oil and crayon on sized, primed linen
    54 3/4 x 49 inches
  • Patricia Ayres 7-5-18-20-18-21-4-5, 2021 Elastic, paint, ink, dye, anointing oil, iodine, metal hardware, thread, wood, padding, and foam 14 1/2 x 33 x 35 inches
    Patricia Ayres
    7-5-18-20-18-21-4-5, 2021
    Elastic, paint, ink, dye, anointing oil, iodine, metal hardware, thread, wood, padding, and foam
    14 1/2 x 33 x 35 inches
  • Manuel Neri Pecadoras Series III (A/P II), 2001 Bronze 31 1/4 x 6 1/4 x 5 1/2 inches
    Manuel Neri
    Pecadoras Series III (A/P II), 2001
    Bronze
    31 1/4 x 6 1/4 x 5 1/2 inches
  • Lydia Pettit Covet 1, 2022 Oil on canvas 27 1/2 x 19 3/5 inches
    Lydia Pettit
    Covet 1, 2022
    Oil on canvas
    27 1/2 x 19 3/5 inches
  • Ilana Savdie A wavering wound lies (about longing), 2022 Oil, acrylic, and beeswax on canvas stretched on panel 34 × 24 inches
    Ilana Savdie
    A wavering wound lies (about longing), 2022
    Oil, acrylic, and beeswax on canvas stretched on panel
    34 × 24 inches
  • Mark Aguhar is consistency and fixedness a mark of personhood, 2011
    Mark Aguhar
    is consistency and fixedness a mark of personhood, 2011
  • Mark Aguhar JUST BECAUSE I WANT TO DESTROY YOUR SENSE OF BODILY SELF DOESNT MEAN I DONT VALUE YOU AS A PERSON, 2011
    Mark Aguhar
    JUST BECAUSE I WANT TO DESTROY YOUR SENSE OF BODILY SELF DOESNT MEAN I DONT VALUE YOU AS A PERSON, 2011
  • Mark Aguhar MY FAVORITE THING ABOUT PEOPLE CHANGING THEIR APPEARANCE IS THE RESISTANCE THEY MEET FROM PEOPLE WHO EXPECT THEM TO LOOK A CERTAIN WAY, 2012
    Mark Aguhar
    MY FAVORITE THING ABOUT PEOPLE CHANGING THEIR APPEARANCE IS THE RESISTANCE THEY MEET FROM PEOPLE WHO EXPECT THEM TO LOOK A CERTAIN WAY, 2012
  • Mark Aguhar TAKING CONTROL OF MY PHYSICAL BODY IS THE ONLY WAY FOR ME TO EXERT AGENCY IN A WORLD DESIGNED TO DEMOLISH MY PERSONHOOD, 2011
    Mark Aguhar
    TAKING CONTROL OF MY PHYSICAL BODY IS THE ONLY WAY FOR ME TO EXERT AGENCY IN A WORLD DESIGNED TO DEMOLISH MY PERSONHOOD, 2011
  • Mark Aguhar WHEN I BRUSH MY HAIR I IMAGINE WITH EVERY STROKE THAT EVERY PERSON WHOS MADE ME FEEL LIKE LESS THAN A PERSON IS GAGGING, 2011
    Mark Aguhar
    WHEN I BRUSH MY HAIR I IMAGINE WITH EVERY STROKE THAT EVERY PERSON WHOS MADE ME FEEL LIKE LESS THAN A PERSON IS GAGGING, 2011
  • Puppies Puppies (Jade Guanaro Kuriki-Olivo) GREEN, 2022
    Puppies Puppies (Jade Guanaro Kuriki-Olivo)
    GREEN, 2022
  • Anaïs Duplan For Alain, 2020
    Anaïs Duplan
    For Alain, 2020
Overview
Blake Daniels: Libation Bearers, 2023.
Blake Daniels: Libation Bearers, 2023.
Maybe part of the human condition is to perpetually crave a tomorrow that would bring all that today falls short of delivering. If so, Full and Pure: Body, Materiality, Gender is just another expression of such an intuitive yearning. 

Full and Pure: Body, Materiality, Gender explores the scene of deliverance by reflecting on the becomings of gender, bodies, and materiality. This exhibition is comprised of the works of 37 intergenerational artists creating in a range of mediums: from poetry, video, and sculpture, to painting, photography, and installation. Every work speaks to some combination of the three axes around which this exhibition is centered: the somatic, materiality, and gendered embodiment. All three are reconsidered in their most generous forms through processes of abstraction and experimentation. Indeed, this exhibition articulates that the body’s capacities must be reconceptualized expansively; that gender’s true nature exceeds digestible clarity; and that materiality’s potential can’t be fully appreciated without also recognizing its autonomy. It is upon these undeniable truths that Full and Pure’s tomorrow is predicated. 

 

Artists Include: 

Mark Aguhar

Diana Al-Hadid

Marcel Alcalá

Ida Applebroog

Patricia Ayres

Felipe Baeza

Linus Borgo

Seba Calfuqueo

Blake Daniels

Anaïs Duplan

Nicole Eisenman

Alannah Farrell

Helen Frankenthaler

Nash Glynn

Jarrett Key

Maria Lassnig

Leslie Martinez

Ana Mendieta

Manuel Neri

Ludovic Nkoth

Breyer P-Orridge

Ren Light Pan

Daisy Parris

Lydia Pettit

Puppies Puppies (Jade Guanaro Kuriki-Olivo)

Christina Quarles

Mosie Romney

George Rouy

Maja Ruznic

Ilana Savdie

Joan Semmel

Shikeith           

Devan Shimoyama

Hugh Steers

Chiffon Thomas

Willa Wasserman

Kiyan Williams

  • Curatorial Essay
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Installation Views
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
  • Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
    Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon. 
Press
  • Unbounded Forms: “Full and Pure: Body, Materiality, Gender” at the Green Family Art Foundation, Dallas

    Emma S. Ahmad, Glasstire, August 29, 2023
    This link opens in a new tab.
  • In Full and Pure, Green Family Art Foundation takes a powerful view of gender fluidity

    Eve Hill-Angus, Patron Magazine, June 2, 2023
    This link opens in a new tab.
Press release

The Green Family Art Foundation is pleased to present Full and Pure: Body, Materiality, Gender curated by Mara Hassan, opening on June 10, 2023, and remaining on view until September 24, 2023. Please join the Green Family Art Foundation for the opening reception of Full and Pure on Saturday, June 10 from 5-8 PM at 2111 Flora Street, Suite 110, Dallas, TX 75201. Opening reception is free and open to the public, no RSVP required. 

 

Full and Pure: Body, Materiality, Gender presents a survey of contemporary art reflecting on the malleability of selfhood, gendered corporeality, and aesthetic forms. This intergenerational group of artists explores the mutability of the somatic, gender, and matter, reconsidering the possibilities of the self as an inquiry into what the future can hold for us. Artists in Full and Pure include: 

 

Mark Aguhar Helen Frankenthaler Christina Quarles
Diana Al-Hadid Nash Glynn Mosie Romney

Marcel Alcalá

Jarrett Key George Ruoy
Ida Applebroog Maria Lassnig Maja Ruznic

Patricia Ayres

Leslie Martinez

Ilana Savdie

Felipe Baeza

Ana Mendieta

Joan Semmel

Linus Borgo

Manuel Neri

Shikeith

Seba Calfuqueo

Ludovic Nkoth

Devan Shimoyama

Blake Daniels

Breyer P-Orridge

Hugh Steers

Anaïs Duplan

Ren Light Pan

Chiffon Thomas

Nicole Eisenman

 Daisy Parris

Willa Wasserman

Alannah Farrell

Lydia Pettit

Kiyan Williams

 

Puppies Puppies

(Jade Guanaro Kuriki-Olivo)

  

 

 
 

 

About the Curator:

Mara Hassan is a curator, writer, and art historian. She is currently pursuing a PhD in the Department of Art and Art History at Stanford University. Her research focuses on queer and gender-variant potentiality in modern and contemporary conceptual portraiture. After receiving her BA in Art History and Queer Studies from UCLA, she completed a post baccalaureate research fellowship at the University of Pittsburgh. Her curatorial research and writing has supported institutions such as the Hammer Museum, ONE Archives, Los Angeles Contemporary Exhibitions, the Mattress Factory, and more. 

 

About the Green Family Art Foundation:

The Green Family Art Foundation is a non-profit 501(c)(3) organization. 

 

The foundation's mission is to provide a venue for, make grants to museums for the benefit of, and educate others about contemporary artists we believe communicate important ideas that are relevant and discussion worthy today and in the future. 

 

The exhibition is located at 2111 Flora Street, Suite 110, Dallas, TX 75201. Hours are Wednesday-Friday, 11am-5pm and Saturday-Sunday, 11am-6pm. Admission is free. 

 

For press inquiries, please reach out to info@greenfamilyartfoundation.org or call 214-274-5656.

Download Press Release
Back to Past exhibitions

info@greenfamilyartfoundation.org

@greenfamilyartfoundation

(214) 274-5656 

2111 Flora Street, Suite 110

Dallas, TX 75201

We are temporarily closed Monday, May 12th-Friday, June 6th, 2025. Our next exhibition, Robert Peterson: Somewhere in America will open on Saturday, June 7th from 5-8 PM. Regular hours to resume starting Sunday, June 8th. 

 

Wednesday - Friday, 11am-5pm 

Saturday - Sunday 11am-6pm

Closed Fourth of July, Thanksgiving Day, Christmas Eve, Christmas Day, and New Year's Day

 

We do not represent any artists or accept unsolicited artist submissions.

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