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Women of Now: Dialogues of Memory, Place & Identity : Curated by Clare Milliken & Bailey Summers

Past exhibition
February 12 - May 15, 2022
  • Works
  • Overview
  • Installation Views
  • Press
  • Press release
Works
  • Caroline Absher Studio, 2021 Oil on canvas 84 x 72 in.
    Caroline Absher
    Studio, 2021
    Oil on canvas
    84 x 72 in.
  • Hayley Barker Riverwood 5, 2021 Oil on linen 13 1/4 x 9 in.
    Hayley Barker
    Riverwood 5, 2021
    Oil on linen
    13 1/4 x 9 in.
  • Ana Benaroya Diamond Day, 2021 Acrylic, spray paint and oil on canvas 72 x 84 in.
    Ana Benaroya
    Diamond Day, 2021
    Acrylic, spray paint and oil on canvas
    72 x 84 in.
  • Coady Brown The Magician's Assistant, 2022 Oil on canvas 64 x 54 in.
    Coady Brown
    The Magician's Assistant, 2022
    Oil on canvas
    64 x 54 in.
  • Lucy Bull Liquid Rubies, 2021 Oil on linen 84 x 48 in.
    Lucy Bull
    Liquid Rubies, 2021
    Oil on linen
    84 x 48 in.
  • Somaya Critchlow Untitled, 2019 Oil on linen 8 x 6 in.
    Somaya Critchlow
    Untitled, 2019
    Oil on linen
    8 x 6 in.
  • Dominique Fung Suspicions About Colour, 2018 Oil on canvas 60 x 120 in.
    Dominique Fung
    Suspicions About Colour, 2018
    Oil on canvas
    60 x 120 in.
  • Louise Giovanelli Dyer, 2021 Oil on canvas 59 1/8 x 43 1/4 in.
    Louise Giovanelli
    Dyer, 2021
    Oil on canvas
    59 1/8 x 43 1/4 in.
  • Sasha Gordon Interloper, 2021 Oil on panel 12 x 12 in.
    Sasha Gordon
    Interloper, 2021
    Oil on panel
    12 x 12 in.
  • Ania Hobson Red Jacket, 2020 Oil on canvas 35 7/8 x 24 in.
    Ania Hobson
    Red Jacket, 2020
    Oil on canvas
    35 7/8 x 24 in.
  • Rachel Jones Untitled, 2020 Oil pastel, oil stick on canvas 63 x 98 1/2 in.
    Rachel Jones
    Untitled, 2020
    Oil pastel, oil stick on canvas
    63 x 98 1/2 in.
  • Cheyenne Julien Day Session, 2018 Acrylic and oil on canvas 30 x 24 in.
    Cheyenne Julien
    Day Session, 2018
    Acrylic and oil on canvas
    30 x 24 in.
  • Aubrey Levinthal Long Shower (Lady), 2020 Oil on panel 23 1/2 x 18 in.
    Aubrey Levinthal
    Long Shower (Lady), 2020
    Oil on panel
    23 1/2 x 18 in.
  • Hannah Levy Untitled, 2020 Nickel-plated steel, silicone 44 x 22 x 25 in.
    Hannah Levy
    Untitled, 2020
    Nickel-plated steel, silicone
    44 x 22 x 25 in.
  • Danica Lundy Captain, 2020 Oil on canvas 60 x 36 in.
    Danica Lundy
    Captain, 2020
    Oil on canvas
    60 x 36 in.
  • Maud Madsen Two Can Play, 2021 Acrylic on canvas 78 x 78 in.
    Maud Madsen
    Two Can Play, 2021
    Acrylic on canvas
    78 x 78 in.
  • Rute Merk Julia, 2020 Oil on canvas 41 x 52 in.
    Rute Merk
    Julia, 2020
    Oil on canvas
    41 x 52 in.
  • Jenny Morgan Reclining Portrait of Simone Gabriel, 2022 Oil on canvas 46 x 60 in.
    Jenny Morgan
    Reclining Portrait of Simone Gabriel, 2022
    Oil on canvas
    46 x 60 in.
  • Anna Park Hello, Stranger, 2021 Charcoal on paper on panel 74 3/4 x 100 1/8 in.
    Anna Park
    Hello, Stranger, 2021
    Charcoal on paper on panel
    74 3/4 x 100 1/8 in.
  • Lauren Quin Into the Pot, 2021 Oil on canvas 64 x 72 in.
    Lauren Quin
    Into the Pot, 2021
    Oil on canvas
    64 x 72 in.
  • Hannah Lupton Reinhard Ball Drop (Sunset), 2020 Oil and swarovski crystals on canvas 24 x 24 in.
    Hannah Lupton Reinhard
    Ball Drop (Sunset), 2020
    Oil and swarovski crystals on canvas
    24 x 24 in.
  • Danielle Roberts Two Sailing Wait, 2021 Acrylic on canvas 60 x 66 in.
    Danielle Roberts
    Two Sailing Wait, 2021
    Acrylic on canvas
    60 x 66 in.
  • Antonia Showering Maisie, 2020 Oil on linen 51 3/16 x 63 in.
    Antonia Showering
    Maisie, 2020
    Oil on linen
    51 3/16 x 63 in.
  • Brea Weinreb Demoiselles of Gay Beach, 2021 Oil on canvas 56 x 48 in.
    Brea Weinreb
    Demoiselles of Gay Beach, 2021
    Oil on canvas
    56 x 48 in.
  • Anna Weyant Maggie, 2019 Oil on panel 48 x 36 in.
    Anna Weyant
    Maggie, 2019
    Oil on panel
    48 x 36 in.
  • Lily Wong Into the Thick of It , 2021 Acrylic on paper 29 1/2 x 41 in.
    Lily Wong
    Into the Thick of It , 2021
    Acrylic on paper
    29 1/2 x 41 in.
  • Issy Wood Untitled (Study for my dad’s next wife), 2019 Oil on velvet 55 1/8 x 70 7/8 in.
    Issy Wood
    Untitled (Study for my dad’s next wife), 2019
    Oil on velvet
    55 1/8 x 70 7/8 in.
  • Michaela Yearwood-Dan Beyond the veil of the mythical super woman, 2021 Oil, acrylic, ink and gold leaf on canvas 78 3/4 x 59 1/8 in.
    Michaela Yearwood-Dan
    Beyond the veil of the mythical super woman, 2021
    Oil, acrylic, ink and gold leaf on canvas
    78 3/4 x 59 1/8 in.
Overview
Women of Now: Dialogues of Memory, Place & Identity , Curated by Clare Milliken & Bailey Summers

Women of Now explores how twenty-eight compelling female artists synthesize memory and a sense of place as artistic tools to impart their unique identities to the world. Artists included in the exhibition are Caroline Absher, Hayley Barker, Ana Benaroya, Coady Brown, Lucy Bull, Somaya Critchlow, Dominique Fung, Louise Giovanelli, Sasha Gordon, Ania Hobson, Rachel Jones, Cheyenne Julien, Aubrey Levinthal, Hannah Levy, Danica Lundy, Maud Madsen, Rute Merk, Jenny Morgan, Anna Park, Lauren Quin, Hannah Lupton Reinhard, Danielle Roberts, Antonia Showering, Brea Weinreb, Anna Weyant, Lily Wong, Issy Wood and Michaela Yearwood-Dan.

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Download Press Release
Installation Views
  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

  • Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

    Installation view, Women of Now: Dialogues of Memory, Place & Identity, 2022. Todora Photography.

Press
  • Women of Now: Dialogues of Memory, Place, and Identity at The Green Family Art Foundation

    Jonathan Goodman, Whitehot Magazine, March 7, 2022
    This link opens in a new tab.
  • Dallas-based Green Family Art Foundation spotlights emerging female artists in new show

    Mariah Jallad, KERA, February 15, 2022
    This link opens in a new tab.
  • 28 Rising Female Stars at New Contemporary Space in Dallas

    Elisa Carollo, Art She Says, February 10, 2022
    This link opens in a new tab.
  • Amalgamations of the Female Mind

    Terri Provencal, Patron Magazine, February 1, 2022
    This link opens in a new tab.
Press release

The Green Family Art Foundation is pleased to present Women of Now: Dialogues of Memory, Place & Identity, an exhibition co-curated by Clare Milliken and Bailey Summers, opening on February 12, 2022 and remaining on view until May 22, 2022.

 

“Women of Now: Dialogues of Memory, Place & Identity explores how twenty-eight rising female artists synthesize memory and a sense of place as artistic tools to impart their unique identities to the world.” – Clare Milliken and Bailey Summers, co-curators

 

Artists include:

Caroline Absher  Louise Giovanelli Danica Lundy Danielle Roberts
Hayley Barker Sasha Gordon Maud Madsen  Antonia Showering
Ana Benaroya Ania Hobson Rute Merk  Brea Weinreb
Coady Brown  Rachel Jones  Jenny Morgan  Anna Weyant 
Lucy Bull  Cheyenne Julien Anna Park Lily Wong
Somaya Critchlow Aubrey Levinthal Lauren Quin Issy Wood
Dominique Fung Hannah Levy Hannah Lupton Reinhard Michaela Yearwood-Dan

 

The works in Women of Now celebrate the unique voices of some of the most compelling rising female artists of today. For each of these artists, the convergence of memory, place and a sense of identity shapes the visual narratives they impart into their artistic creations. Within the exhibition, many of the artists delve into themes of representation by means of reflecting on memories of exclusion. From Ana Benaroya’s powerful yet inviting reclining nude, to Somaya Critchlow’s assertive and provocative seated woman, to Dominique Fung’s inuendo-laden scene, these three artists look to their pasts as inspiration to create compelling paintings imbued with a more well-rounded representation of their LGBTQIA+, Black and Asian communities, respectively. The reimagining of art historical tropes is also an integral painterly element for many of the artists in Women of Now. Jenny Morgan’s ethereal interpretation of a dear friend as a contemporary odalisque and Anna Weyant’s playful reworking of René Magritte’s trompe l’oeil paintings are prime examples of how the merging of personal stories with the cannon of art history creates scenes of surreal intrigue. For several artists in the exhibition, such as Lauren Quin and Michaela Yearwood-Dan, the fusion of powerful memories and their distinctly personal visual languages of abstraction generate paintings that transport symbols of more recent memories into the minds of observers. And, for artists such as Sasha Gordon and Danielle Roberts, their vividly saturated investigations into their pasts produce scenes replete with deeply person meanings. By bringing this dynamic group of artists together, Women of Now generates a conversation of what it means to be a woman in today’s society.  

 

About the Curators:

 

Clare Milliken is the Curator for the Green Family Art Foundation. While earning a Master’s degree in contemporary art history from Sotheby’s Institute of Art in New York, Milliken interned at the Solomon R. Guggenheim in their exhibition management department, working on exhibitions including the Doris Salcedo and Agnes Martin retrospectives. After graduate school, Milliken worked at Phillips Auctioneers for three and half years in the Photographs Specialists department. Since joining GFAF, Milliken has collaborated closely with Bailey Summers and guest curators to generate impactful curatorial programing, and produced meaningful educational events for the foundation’s visitors.

 

Bailey Summers is the Exhibitions & Programs Manager for the Green Family Art Foundation. After graduating with a Bachelor of Arts in art history and arts administration from Texas Christian University, Summers worked at TACA - The Arts Community Alliance, promoting and fostering arts community engagement in North Texas. As part of the GFAF team for the past two years, Summers has been integral to coordinating and implementing dynamic programming as well as leading exhibition management and art collections care.  

 

About the Green Family Art Foundation:

 

The Green Family Art Foundation is a non-profit 501(c)(3) organization.

 

The foundation’s mission is to provide a venue for, make grants to museums for the benefit of, and educate others about contemporary artists we believe communicate important ideas that are relevant and discussion worthy today and in the future.

 

The exhibition is located at 150 Manufacturing Street, Suite 214, Dallas, TX 75207. Admission is free.  Vaccination, plus booster, is strongly suggested. For press inquiries, please reach out to info@greenfamilyartfoundation.org or call 214-274-5656.

Download Press Release
Back to Past exhibitions

info@greenfamilyartfoundation.org

@greenfamilyartfoundation

(214) 274-5656 

2111 Flora Street, Suite 110

Dallas, TX 75201

Wednesday - Friday, 11am-5pm 

Saturday - Sunday 11am-6pm

Closed Fourth of July, Thanksgiving Day, Christmas Eve, Christmas Day, and New Year's Day

 

We do not represent any artists or accept unsolicited artist submissions.

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